Showing posts with label OUGD406. Show all posts
Showing posts with label OUGD406. Show all posts

Thursday, 1 May 2014

Self Evaluation


BA (Hons.) GRAPHIC DESIGN
LEVEL
04
 Module Code 
OUGD403               


 Module Title
DESIGN SKILLS


END OF MODULE SELF-EVALUATION

NAME
Vanessa Cain



1.     What skills have you developed through this module and how effectively do you think you have applied them?


·       I now know how to screen print in two-colour screen print. I have also experimented with different paints , for example I made metallic gold paint for Studio Brief 4 (speaking from experience) it all helped me understand the whole process much better. Overall, it made me realise how screen-printing can be so visually pleasing. I also know a lot more about of different paper stocks that I can use both in digital print and in screen print.














2. What approaches to/methods of design production have you developed and how have they informed your design development process?

As mentioned before, the strongest design production method I have developed is screen-printing.

But I’ve also learnt how to work within a group and plan tasks for individuals, which has lead to a Typography blog… typeandeye.wordpress











3. What strengths can you identify in your work and how have/will you capitalise on these?

I think my ‘speaking from experience’ outcome is my best and strongest outcome. As it was the last brief of the year, I wanted to try and incorporate all the things I have learnt over the year. I used screen print, book binding, InDesign skills, pagination, type skills. I have capitalised these by my outcome, which is a printed publication. 

I can also say my strengths are time management, which has vastly improved over the year. Also I am not as stressed about giving myself a lot of work to do and try to complete it as best as I can, it’s amazing what you can accomplish within a week by focusing and committing fully.














4. What weaknesses can you identify in your work and how will you address these in the future?

I think my weakness is my two colour Bruce Willis screen-print as I felt rushed it towards the end, because of busy printing slots. To address this I would re-visit and improve my old work and probably book printing slots well in advance.

Also, still my biggest weaknesses would be confidence in my own work, which also affects my fear in presenting it.  I always want to improve my design work, as I never feel like it’s really finished, nor am I happy with what I produce!











5. Identify five things that you will do differently next time and what do you expect to gain from doing these?

Blog – Keeping up to date with uploading tasks and proof-reading my work
Time Management – generally keeping up to date with briefs, balancing my time, not leaving things to the last minute! However, I do seem to work better under pressure.
Be more confident - I will be more confident about my work, which will help me present it in crits better.
Reflective over work – be more critical/self evaluative, ask for help, and try and try again.
Be more experimental – experiment more and use different methods.














6.How would you grade yourself on the following areas:
(please indicate using an ‘x’) 

5= excellent, 4 = very good, 3 = good, 2 = average, 1 = poor

1
2
3
4
5
Attendance




X
Punctuality




X
Motivation



X

Commitment



X

Quantity of work produced



X

Quality of work produced


X


Contribution to the group


X


The evaluation of your work is an important part of the assessment criteria and represents a percentage of the overall grade. It is essential that you give yourself enough time to complete your written evaluation fully and with appropriate depth and level of self-reflection. If you have any questions relating to the self evaluation process speak to a member of staff as soon as possible.



Monday, 28 April 2014

Final Crit

Final Crit 



Today, I presented my final outcome in a group of 12 and Simon. I received positive feedback on my outcome. They liked the choice of stock and felt the gold screen-print gave it 'added luxury' which was the intended effect. Also, the choice of note and graph paper. Also, Simon suggested that I produce a couple of posters which fold up within the publication, which I will do. Everybody thought the, 'If in doubt, play table tennis. Come back in ten minutes would make a good poster. So I think I'll run with that idea. I left the crit feeling pretty happy with myself.. ha.

Thursday, 24 April 2014

Speaking from Experience Brief



Speaking from Experience

Brief

Starting the Graphic Design course at LCA can be daunting. The fast past schedule, and multiple briefs can be tough, and many students struggle with their time management. The task is to design and produce a publication that will inform and educate the first years about time management and hints and tips on Graphic Design at LCA.

Mandatory requirements

·      Digitally printed publication.

·      Informing the reader with the correct tone of voice.

·      Deliverables

·      Thumbnails

·      Design sheets


·      Final publication

Wednesday, 23 April 2014

Speaking from Experience/Content

Book Content

Below is all my book content for my 'speaking from experience' publication on how to build a rock-solid routine, a list of blogs, definitions of our blogs, what is a crit? as well as a graphic design glossary.

Building a rock-solid routine

Great work before everything else
 Do your most meaningful creative work at the beginning of your day, and leave ‘reactive work’ – like responding to emails, blogging for later on in the day.

Jump-start your creativity 
Establish ‘associative triggers’ – such as listening to the same music or arranging your desk in a certain way- that tell your mind it’s time to get down to work.

Feel the frequency
 Commit to working on your project at consistent intervals – ideally everyday- to build creative muscle and momentum over time.

Pulse and pause 
Move rhythmically between spending and renewing your energy by working in ninety-minute bursts and then taking a break.

Get Lonely 
Make a point of spending some time alone each day. It’s a way to observe unproductive habits and thought processes, and to calm your mind.

Don't wait for moods 
Show up, whether you feel inspired or not.

Useful Blogs

Aisle One                                                   www.aisleone.net
Behance                                                    www.behance.net
Creative Bloq                                      www.creativebloq.com
Creative Review                              www.creativereview.co.uk
Designspiration                                 www.designspiration.net
Design Milk                                           www.designmilk.com
Experimental Jetset                      www.experimentaljetset.net
Font Smith                                                www.fontsmith.com
It’s Nice That                                          www.itsnicethat.com
I Love Typography                         www.ilovetypography.com
Infographics                                  www.loveinfographics.com
Information is beautiful            www.informationisbeautiful.net
Typography Served                    www.typographyserved.com

Typographica                                     www.typographica.org

Our blogs

PPP
PPP is everything to do with your Personal and Professional Practice, which is everything from PPP tasks through to module and project evaluations, exhibitions visits, networking, work experience etc.

Design Context Blog
Design Context is any/all the research you do for a brief. This is the place to post other designers work to analyse. It is also where you blog your lecture notes and Context of Practice tasks.

Design Practice Blog
This blog is dedicated entirely to your own work and group work. Anything you have produced or is your own goes onto this blog.

What is a crit? 

A crit is where you present your work to your group in order to receive helpful feedback, and any suggestions on improving your design work. There are two types of crit:

Interim Crit
An interim crit is halfway between briefing and the deadline. You don’t need a final idea or outcome. Just bring along thumbnail sketches and perhaps a rough mock-up of your idea. The interim crit allows you to present current thoughts and ideas, and receive helpful feedback on which idea to go with.

Final Crit
The final crit is where you present your finished outcome, so make sure your prepared! It is absolutely essential to bring your final outcome with you and that it fits in the guidelines of the brief. Unlike the interim crit, you will be receiving feedback on your final outcome and the  development behind it.

Glossary

Alignment
A term used to refer to the proper positioning of all typefaces and size variations along an imaginary reference line.

Ascender
The part of a lowercase letter, which rises above the main body, as in the letters “b”, “d”, “h”, and “k”.

Baseline
An invisible horizontal line on which the feet of all characters on a line of type are set, used for proper alignment of type.

Bleed
A printed image that extends beyond one or more of the finished page margins and is later trimmed so that the image “bleeds” off the edge of the sheet.

Body Text
The main portion of a book or other document, excluding front matter and back matter

Cap-Height
In typography, the distance from the baseline to the top of the capital letters.

Character
Any letter, figure, punctuation, symbol or space.

Colour swatch
A sample of a specific colour, either printed or stored digitally, used to describe a particular printing ink or combination of printing ink colours.

Crop-Marks
Lines drawn or printed on a photograph, overlay, or printed product to indicate the proper cropping of the image or print in question.

Font
In typography, a set of all characters in a typeface.

Gutter
In typography, the term refers to the space between columns of type,  usually determined by the number and width of columns and the overall width of the area to be filled.

Kerning
In typography, the reduction of letter-spacing between certain character combinations in order to reduce the space between them, performed for aesthetic reasons.

Negative Space
In design, the space not occupied by the text or images.

Palette
The collection of colours or shades available or used in a project, graphic system, or program.

Pantone
A brand-name for a popular colour matching system, or series of printed colour swatches used to match, specify, identify, and display specific colours or coloured ink,
ombinations

Pixel
Shorthand term for picture element, or the smallest point or dot on a computer monitor.

Sans-serif
In typography, characters (or typefaces) without serifs, which are lines crossing the free end of the stroke. “Sans serif” means “without serif”.

Serif
In typography, an all-inclusive term for characters that have a line crossing the free end of a stroke. The term serif refers to both that finishing line and to characters and typefaces that have them.

Tracking
In typography, the adjusting of the letter-spacing throughout a piece of typeset copy.

Typeface
In typography, a specific variation within a type family, such as roman, italic, bold, etc.

Weight
In typography, the lightness or darkness in print of a particular typeface, based upon its design and thickness of line.