Wednesday, 23 April 2014

Speaking from Experience/Content

Book Content

Below is all my book content for my 'speaking from experience' publication on how to build a rock-solid routine, a list of blogs, definitions of our blogs, what is a crit? as well as a graphic design glossary.

Building a rock-solid routine

Great work before everything else
 Do your most meaningful creative work at the beginning of your day, and leave ‘reactive work’ – like responding to emails, blogging for later on in the day.

Jump-start your creativity 
Establish ‘associative triggers’ – such as listening to the same music or arranging your desk in a certain way- that tell your mind it’s time to get down to work.

Feel the frequency
 Commit to working on your project at consistent intervals – ideally everyday- to build creative muscle and momentum over time.

Pulse and pause 
Move rhythmically between spending and renewing your energy by working in ninety-minute bursts and then taking a break.

Get Lonely 
Make a point of spending some time alone each day. It’s a way to observe unproductive habits and thought processes, and to calm your mind.

Don't wait for moods 
Show up, whether you feel inspired or not.

Useful Blogs

Aisle One                                                   www.aisleone.net
Behance                                                    www.behance.net
Creative Bloq                                      www.creativebloq.com
Creative Review                              www.creativereview.co.uk
Designspiration                                 www.designspiration.net
Design Milk                                           www.designmilk.com
Experimental Jetset                      www.experimentaljetset.net
Font Smith                                                www.fontsmith.com
It’s Nice That                                          www.itsnicethat.com
I Love Typography                         www.ilovetypography.com
Infographics                                  www.loveinfographics.com
Information is beautiful            www.informationisbeautiful.net
Typography Served                    www.typographyserved.com

Typographica                                     www.typographica.org

Our blogs

PPP
PPP is everything to do with your Personal and Professional Practice, which is everything from PPP tasks through to module and project evaluations, exhibitions visits, networking, work experience etc.

Design Context Blog
Design Context is any/all the research you do for a brief. This is the place to post other designers work to analyse. It is also where you blog your lecture notes and Context of Practice tasks.

Design Practice Blog
This blog is dedicated entirely to your own work and group work. Anything you have produced or is your own goes onto this blog.

What is a crit? 

A crit is where you present your work to your group in order to receive helpful feedback, and any suggestions on improving your design work. There are two types of crit:

Interim Crit
An interim crit is halfway between briefing and the deadline. You don’t need a final idea or outcome. Just bring along thumbnail sketches and perhaps a rough mock-up of your idea. The interim crit allows you to present current thoughts and ideas, and receive helpful feedback on which idea to go with.

Final Crit
The final crit is where you present your finished outcome, so make sure your prepared! It is absolutely essential to bring your final outcome with you and that it fits in the guidelines of the brief. Unlike the interim crit, you will be receiving feedback on your final outcome and the  development behind it.

Glossary

Alignment
A term used to refer to the proper positioning of all typefaces and size variations along an imaginary reference line.

Ascender
The part of a lowercase letter, which rises above the main body, as in the letters “b”, “d”, “h”, and “k”.

Baseline
An invisible horizontal line on which the feet of all characters on a line of type are set, used for proper alignment of type.

Bleed
A printed image that extends beyond one or more of the finished page margins and is later trimmed so that the image “bleeds” off the edge of the sheet.

Body Text
The main portion of a book or other document, excluding front matter and back matter

Cap-Height
In typography, the distance from the baseline to the top of the capital letters.

Character
Any letter, figure, punctuation, symbol or space.

Colour swatch
A sample of a specific colour, either printed or stored digitally, used to describe a particular printing ink or combination of printing ink colours.

Crop-Marks
Lines drawn or printed on a photograph, overlay, or printed product to indicate the proper cropping of the image or print in question.

Font
In typography, a set of all characters in a typeface.

Gutter
In typography, the term refers to the space between columns of type,  usually determined by the number and width of columns and the overall width of the area to be filled.

Kerning
In typography, the reduction of letter-spacing between certain character combinations in order to reduce the space between them, performed for aesthetic reasons.

Negative Space
In design, the space not occupied by the text or images.

Palette
The collection of colours or shades available or used in a project, graphic system, or program.

Pantone
A brand-name for a popular colour matching system, or series of printed colour swatches used to match, specify, identify, and display specific colours or coloured ink,
ombinations

Pixel
Shorthand term for picture element, or the smallest point or dot on a computer monitor.

Sans-serif
In typography, characters (or typefaces) without serifs, which are lines crossing the free end of the stroke. “Sans serif” means “without serif”.

Serif
In typography, an all-inclusive term for characters that have a line crossing the free end of a stroke. The term serif refers to both that finishing line and to characters and typefaces that have them.

Tracking
In typography, the adjusting of the letter-spacing throughout a piece of typeset copy.

Typeface
In typography, a specific variation within a type family, such as roman, italic, bold, etc.

Weight
In typography, the lightness or darkness in print of a particular typeface, based upon its design and thickness of line.

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